May 2026
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The Family That’s Kidnapped Together… Taken 2 ***1/2

Buy Taken 2 on DVD

If the Mills family of Los Angeles asks you to vacation together, politely decline.

Taken 2 is the enjoyable sequel to the popular original of 2007 created by Luc Besson and Robert Mark Kamen.  Although highly successful and versatile on their own Besson (The Big Blue, La Femme Nikita, Leon: The Professional) and Kamen (Taps, Karate Kid, Gladiator) have collaborated for years yielding such films as The Fifth Element, and Transporter (1, 2 and 3) and now Taken (1 and 2).

History suggests that sequels usually fail miserably or are best watched as rentals at-home on a slow night.  Rarely are they winners, let alone capable as stand-alone features.  Taken 2 is clearly the latter.  Oh to be sure, Taken 2 fits the standard Besson-Kamen formula; good setup, engaging thrills and action, clever dialogue for the leads, and a great sendoff for the bad guy(s).  If you are expecting something different or highly original do not attend a showing.

Taken 2 returns Liam Neeson, Famke Jannsen, Maggie Grace in their original roles and adds the ever perfect; Rade Serbedzija as the bad guy.

Neeson is great again as the bad ass good guy dad.  Jannsen (one of my favorite actresses) is solid in this film.  Grace continues to improve as this film adds some meat to her role.  My only issue with Grace would be that at 30 years of age it is getting harder and harder to belief this women is the “young immature little girl.”

This Is Not Your Father’s Dragnet – End of Watch *** 1/2

It feels as if every single approach to making a police movie has been made by Hollywood – and then comes David Ayer’s End Of Watch.

End of Watch stars Jake Gyllenhaal (Zodiac, Brokeback Mountain, Donnie Darko) and Michel Pena (Everything Must Go, World Trade Center, Crash) as two long-time partners working for the Los Angeles Police Department.

Ayer’s blends a number of story-lines together that present the police department and this team as neither the super clean heroes established by Jack Webb’s Dragnet in radio, film and on television or the ugly, tainted and corrupt scum of the earth of recent release; two which Ayer’s authored -Training Day and Dark Blue.

Instead, End of Watch provides (literally) a Point of View perspective of the human side of two guys who are incredibly close with one another.  It is clear these two police officers are on patrol to serve and protect the citizens of Los Angeles.  Do they stretch the law? Sure they do – about as much as someone who mails in the utility bill the day before it is due and hopes not to get a late charge.  The dialogue and chemistry between Gyllenhaal and Pena is as good or better than any recent buddy road flick or Bromance by Judd Apatow.

Gyllenhaal’s Brian Taylor is extremely inquisitive and Pena’s Mike Zavala is exceptionally thoughtful and full of insight.  This combination of personalities leads the two officer’s into a boatload of action.  It is hard to imagine the amount of events happening to these two officer’s let alone a squadron in such a short period of time.  Yet, the movie moves with such a fluid nature that this improbable amount of events never enters your mind during the viewing. Eventually, the curiosity of one and support from another leads these officer’s into a final harrowing situation.

The cinematography is abrupt, high in resolution with a wide palette of color. The style is made possible by a clever aspect of the storyline of which is completely logical given society’s fascination with technology.

If there is any one aspect of the film that feels stunted it is that of the female leads (and spouses of the officers) Anna Kendrick (Up in the Air, 50/50) and Natalie Martinez (Death Race). Although not cardboard character’s neither role is developed to any level approaching the two officer’s.

Note:  I tried to keep count of how many times the bad people in the film used the acronym associated with For Unlawful Carnal Knowledge (first attested around 1475) but lost count.  It proved easier to count the words not using the acronym.

To the Top of Thomspon Peak

On an extraordinary fall day, I had the fortune to attempt to summit Thompson Peak (10,751) – the highest in the Sawtooth range of Idaho.  As I always say, better to be lucky than good.  An on this day I was one lucky son-of-a-gun.

Accompanying me would be my son Kyle.  A goal for the two of us this season is to summit the highest peaks in each of the five mountain ranges (Pioneer, Smoky, Boulder, Sawtooth, White Cloud) that coalesce near my home in The Wood River Valley of Idaho.  If we can make it to the top of Thompson Peak, the count would be three down; Hyndman (12,009) of the Pioneer’s, Ryan (11,714) of the Boulders and Thompson.  It would leave Castle Peak (11,813) of the White Cloud’s and Saviers of the Smoky’s as the remaining peaks to summit this year.

The biggest blocking event to achieving the goal has been forest fire.  Four major fires in the region broke out the week we topped Lubeck Peak in the Boulder Mountains (10,480).  For almost seven straight weeks the valley and region were filled with smoke and extremely unhealthy air – with the current total at approximately 890,000 acres burned (an area about the size of the State of Delaware).  We did receive breaks in the weather (i.e., wind) and summit-ed Ryan and Hyndman Peak.  Recent rain has dampened and slowed the fires – three of the four remain remain to be contained.

Thompson Peak has four approaches.  The most straight-forward approach to the summit is via the south couloir (class 3), starting from the Redfish Lake trail-head.  This approach is 6.43 miles one-way; 4,222 net vertical feet of gain (5,289 ascent and 1,157 descent).  Most people hike the first four miles of the route to the meadow at 8,000 ft or the lake at 9,000 feet and camp with a summit the next day.  Others will ascend and descend the entire route in one shot.  Kyle and I decide the one-shot approach it will be – as it has served us well to-date. However, on this day, not only would reaching the summit be a treat, the color display on the route was at times breath taking.  Kyle set a great pace on a route that included a long stretch of wonderful single-track trail, boulder hopping, snowfield traversing, an unintended free climb, rock scrambling and tidbit of glissading. We reached the summit in four hours and 21 minutes (3:47 if time for photos is removed).  Kyle signed the log book at the summit. Reading the story’s in the log book are always a treat and sometimes include a sad note.  There were some of both in this book.  One note was from a person who made the summit on there third attempt.  Another was a note of remembrance for a friend who reached the summit, signed the log, but never made it home – dieing on the descent.

After a spot of lunch and taking some more photos we headed back down to the trail-head and on to home.

The lake at 9,000 feet. Thompson Peak on the right.

 

 

Looking south from the summit of Thompson Peak. The Sawtooth Mountain Range has 41 peaks of 10,000 in elevation. Seeing Thompson Peak is at the north end, most of the others are in the shot.

 

The view east from the summit of Thompson Peak – The White Cloud Mountain Range, Sawtooth Valley, Little Redfish Lake, Redfish Lake and the Bench Lakes.

 

Our goal (Thompson Peak right center) comes into view about one-half a mile into the hike.

 

One mile into the hike just below the junction of the Alpine Way Trail and trail to Marshall Lake.

 

The wall to the ridge-line from the lake at 9,500 feet. What seemed like an easy route to the ridge-line turned into 200 vertical of class 4+ free-climbing.

 

The lake at 9,000 feet from the summit of Thompson Peak 1,751 feet above.

 

Kyle at the base of the South Couloir after summiting Thomspon Peak.

The route taken to Thompson Peak.