March 2026
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An Encounter With The Finger of Fate

Sunrise on the Finger of Fate © Jeffrey H. Lubeck – Courtesy MESH Gallery – all rights reserved.

A picture is worth a thousand words, so the saying goes.  A picture can also change carefully established plans.  I am a living example.

The plan was a 2nd photo-shoot of the Warbonnet Peak and Monte Veritas region. However, my support team of Chris and Sara Lundy (co-owners of Sawtooth Mountain Guides) viewed Sunset Serenade in the Sawtooths after its posting and pointed out during a planning session that we had never photographed in this remarkable region.  A few weeks earlier, Claire Porter and I captured Devan Jackson’s herd heading out to pasture after a hard day of work. The image; Sunset Serenade in the Sawtooths features the high peaks of the mountain range – including Decker Peak, Finger of Fate, Sevy Peak, The Arrowhead and Mount Cramer. In short, these peaks and others in the line represent a wall of granite that reaches 4,000 vertical feet above the valley floor in less than six miles distance.

After 10 minutes of discussion, we change plans.  We decide to attempt to cover the terrain between two of the highest peaks in the Sawooths; #3 Decker Peak (10,704) and #2 Mt. Cramer (10,716) in four days. The highest peak in the Sawtooths – Thompson Peak (10,751 ft)  has been the subject of a number my climbs and photo-shoots. Summiting Mt. Cramer on this trip will only be possible if we find and navigate a descent from Dave’s Peak down to Profile Lake and back up Mt. Cramer at the end of the photo-shoot.

Hell Roaring Creek is the principle drainage up to the granite blocks we plan to traverse. The first 1.7 miles from the trail-head to Hell Roaring Lake is the only travel for the photo-shoot on a designated trail.  The remainder involves cross-country travel, boulder hopping, and climbing.  Hell Roaring Creek features 10 lakes between the valley floor up to the summit areas.

The Finger of Fate Tour

Waterfalls abound on the route to the Finger of Fate.

Hell Roaring Creek splits at Lake Clarice (8,200 ft). The drainage to the north features The Finger of Fate, Sevy Peak, and Red Bluff Peak (aka Birthday Cake) that also provides a means to climb into the Decker Creek drainage and summit Decker Peak.  The drainage to the south features The Arrowhead,  Sevy Peak, Daves Peak and a wall of spires topping out above 10,000 feet.  Sevy Peak is mentioned in both because it acts as the divider.

Our first efforts are hiking and scrambling up to the Finger of Fate.  The temperature on the trailhead is around 90 degrees.  Travel with heavy packs in these temperatures can prove to be demanding.  The Finger of Fate is among the most challenging rock climbs in the Sawtooths.  It was first summited in 1958 by Louis Stur and Jerry Fuller. All nine known routes are technical in nature and designated as Class 5.8 or above in the Yosemite Measurement Index.  In one word – incomprehensibly difficult to the average person.

Sara Lundy has climbed The Finger of Fate via The Book (II 5.8) which is effectively straight up the spine.  We reach the lake at 8,800 ft. which sits just below The Finger of Fate.  The camp acts as our base for the photo-shoot.  After a swim, and tour of the lake in our Alpaca Raft we climb up to our planned photo point, have dinner, and capture a sunset shot. The Finger of Fate has about 1,000 vertical of prominence.  In short, it is a big building 100 stories tall at almost two miles in the sky with no elevators or glass windows to ascend with the aid of suction cups.

Friday night at the Finger of Fate.

The next day we start out 90 minutes before sunrise for our next photo-shoot.  Our goal is to climb up to the saddle to the north and capture The Finger of Fate at dawn and sunrise. A heavy set of clouds puts us at-risk of capturing a quality image.  Patience and remaining at-the-ready from dawn through sunrise allows us to capture a winner (see photo at top).  Think – hurry up and wait… and wait… and wait.

Jeff Lubeck reaching the summit of Decker Peak. Behind to the South is the granite block skyline including; Red Bluff, Sevy, The Arrowhead, Daves and Mt. Cramer.

Next up is the summit of Decker Peak.  The ascent is a total grinder.  The route is almost all on granite with multiple sections consisting of formations of large loose boulders in Class 3+ terrain.  While all three of us have years of experience operating in this type of setting – it is one of Chris and Sara’s least desirable environments as guides.  Why?  A fall in Class 3+ terrain is often fatal.  A boulder can easily be dislodged by one member falling on another – resulting in a major injury or death.  Note: We have two satellite phones (Chris and Sara) and a GPS Emergency beacon (Jeff).

The onset of smoky conditions adds to the difficulty.  From our perspective smoke from fires is not uncommon and part of the deal.  Because of the Wild Horse (May) and Mountain Goat photo-shoot’s (June) I am recently conditioned to my heavy camera bag configuration and operating at 10,000 feet or above.

The north end of the Sawtooths from summit of Decker Peak. In the immediate foreground is The Elephants Perch, and Grand Mogul (far right). Behind them are the 10,000 ft + members; Mt. Heyburn, Braxon Peak, Mt. Iowa, Horstmann Peak, Baron Peak, Mt. Limbert Peak, Mt. Carter, Mickey’s Spire, Thompson Peak and Williams Peak. Heyburn, Braxon, Iowa, Horstmann, and Baron remain on my to-do list.

Upon reaching the summit of Decker the smoke is pervasive.  However, the views are superlative.  After taking time to photograph all 360 degrees of the region we depart. On the route down we often take a sketchy route established by goats instead of boulder hopping.  Descending on boulders is eminently more difficult than heading up.  Luckily the dirt in the goat route has enough moisture content to greatly improve the ease of descent.  If the moisture level is too low – it’s over to the boulders.

To gain a break from the heat we stop at, and swim in the lake at 9600 feet.  After a superb lunch of Salami, Swiss Cheese, Triscut, and apple we return to camp – arriving at 1PM.  The Base Camp Decker round-trip occurs faster than planned. This provides time for a swim, a trip around the lake in the raft, and a brief nap.  This kind if free time is exceptionally rare for us.

The lake at 9,600 ft is ready for all swimmers!

During the afternoon Chris, Sara, and I discuss the photo-shoot to-date and the next two days. We all agree that too many unknowns and possible bad downsides exist to think that summitting Mt. Cramer on this trip is a smart idea.  The reasoning:

#1. None of us have traveled in the south basin in the summer.  If the terrain is the same as the north side and we are also moving camp all of us could become too exhausted to complete the section in a reasonable time before having to descend to Profile Lake.

#2. The descent from the top of the Sawtooth Peaks ridge-line (i.e., 10,100 – 10,400 ft) down to Profile Lake (9,600 ft.) could be remarkably demanding on its own (60+ degrees at a few points). The difficulty is more pronounced given the weight and bulkiness of our packs.

Aqua Lake in the afternoon at 8,700 ft.

Based on our decision, we have for the first time ever (as a team) a full afternoon and evening of free time.  We decide to explore the area without the complications of heavy packs and camera equipment.  It is fun – but the feeling is a bit weird.

The night does not provide one of rest for me.  For some reason my air-mattress fails; leaving me to a night of sleeping on a hard surface.  We rise at 4:30 AM. SMOKE, SMOKE, SMOKE is in the air.  The three of us (wearing attractive looking head-lamps) sit up and discuss the implications.  Sara points out that “the basic rule is the three of us treat these efforts as adventures that happen to be photo-shoots, and adventure wins the day.”  I ask for the rule-book to establish a determination.  Chris points out that I am the designated rule-book carrier for this trip.  Neither the rule-book or my sixth grade book report on The Life of  The Mosquito At Elevation can be found.

So up we go into the smoke… climbing up and over the towers and ridge-lines above the Finger of Fate.  As we move up through the big granite slabs the wind picks up ever so slightly to pushing to the north.  The implication?  after about 15-20 minutes the smoke departs from our immediate area and adds to the color of a spectacular sunrise across the valley in the White Cloud Mountain Range.

Dawn at the Finger of Fate.

Sunrise on the Top of the Deck

We work our way up to the top of the deck through chimney like granite.  The sun through this period of time moves from early dawn through sunrise.  At sunrise we have 360 degree views from the top.

The Birthday Cake All Lit Up.

The Top of the Deck heading south is completely different that the terrain heading north to Decker Peak.  It contains huge terraces of granite interlaced with native grass, flowers, gently flowing creeks and brooks with ponds of water.

The greenbelt on the way to The Arrowhead.

The way to the Arrowhead.

Early morning haze in the White Clouds, Smokys, Boulders and Pioneers as seen from the Top of the of the Deck in the Sawtooths.

 

While meandering around on the Top of the Deck.  I established it would make for a great golf course with only Par 5’s and 3’s.

Sara, Chris and I went up to the area where we had originally intended to descend to Profile Lake and then up to the summit of Mt. Cramer.  We quickly reaffirmed our decision was correct.  The route were steep, narrow and full of lose rocks and boulders.  Looking at my maps also confirmed each of the two possible routes had significant portions where the pitch was over 60 degrees.

Our updated plan for this last day is a 9 mile and 4,000 vertical descent to the Sawtooth Valley.  Luckily we had time for a swim in the lake at base camp before packing up.  A nice surprise presented itself at the trail-head.  Sara had placed some adult beverages in Hell Roaring Creek.  I consumed one while taking a bath in the creek.

The Life of the Workers at a Horse Ranch

Sunset Serenade in the Sawtooths by Jeffrey H. Lubeck © MESH Art LLC and Claire Porter Photography – courtesy MESH Gallery – all rights reserved.

The 2nd phase of equine photography for MESH Art in 2018 involved photographing horses before and after their workday at the Idaho Rocky Mountain Ranch (IRMR) in Stanley, Idaho.  Last winter Kyle and I reached out to Devan Booker at Pioneer Outfitters who runs the guide operations for IRMR to establish if a photo-shoot was in the realm of a possibility.  The answer was yes.  This spring MESH Art Gallery’s Equine Fine Art Photographer Claire Porter and I established some dates for possible photo-shoots.

A complicating issue is that from June 1st through Labor Day Devan (and his horses) have little if any free time.  IRMR is a popular place for people to escape. With help from Devan and his assistant Jenna, Claire and I decided we would photograph the horses before and after their workday.  IRMR and Pioneer Outfitters is about as good as it gets with this type of offering. It is a 900 acre ranch that has its operational aspects (e.g., stables, corrals, staff living quarters across the road and on the Salmon River.

Claire and I spent time at the corral talking with Devan and Jenna about the horses and learning what they do in the off hours. We walked the property to establish possible view corridors and sun location. Each day around sunset the horses are released into large open spaces from two different corrals.  One group heads north and the other south.  Both open spaces have the Salmon River running through the property with a spectacular view of the Sawtooth Mountains.  The available land, water, and fresh grasses for the horses is substantial.  At sunrise the horses return (on their own or with guidance from Jenna) to the corrals. Claire who has a supreme knowledge, affinity, and connection with horses said to me “expect the unexpected and no matter how well we plan – the opposite is likely to occur.”  Truer words have not been spoken! The approximately 50 horses exhibited a variety of behaviors.

As with the Wild Mustang photo-shoot Claire situated herself to be among the horses and I would be situated such that I could capture group and moving shots with the Salmon River and the Sawtooths in the background.

Morning Commute in the Sawtooths by Jeffrey H. Lubeck. © MESH Art LLC and Claire Porter Photography – courtesy of MESH Gallery – all rights reserved.

While the photo-shoot required effort late and early in the day, the location was only about 10-12 minutes from our cabin.  So Claire, Linda, and I could have meals and a semblance of normalcy while not shooting.

Jeff”s Worthless Trivia

Decker Peak (10,740) is the big peak in the center of things.  It is the third highest peak in the Sawtooth Range.  Decker can be summited via the south ridge (Class 3).  This route also offers three cool little lakes as you pass 9,000 feet on your way to the summit.  To Decker’s south are Red Bluff (10,280), Sevy Peak (10,480), Finger of Fate (9,760), The Arrowhead (10,250), Dave’s (10,579) and Mt. Cramer (10,704).  Mt. Cramer is the 2nd highest peak in the Sawtooth’s and can be summited via the east (Class 3).  The peaks mentioned in between provide some of the most demanding technical climbing ascents in the region.

My next photo-shoot will be conducted in the peaks of the Mountains displayed above.  Starting on Friday July 27th, I along with my long-time teammates Chris and Sarah Lundy (owners of Sawtooth Mountain Guides) will attempt to climb Decker and Cramer and traverse the ridge-lines and peaks in between the two all in a few days time.  We hope to get Finger of Fate photographed at dawn and sunset on the same day.

Photographing a fast moving object in low and highly variable light can be a challenge. Seeing I shoot with settings configured manually at all times obtaining an in focus image in usable light requires a great deal of fortune.  On this shoot I had both Nikon and PHASE ONE gear by my side.  Kyle’s special MESH Photopack bag proved to be a difference maker again. Any and all I wanted or needed was at-the-ready.

Ideally I am capturing landscapes in well orchestrated conditions and lighting.  While travel to this kind of photo location often involves multiple days and a highly demanding ascent with heavy gear on my back, I usually arrive hours before the shoot and have time for preparation and establishing the desired composition. The implication is I can be picky and demanding (tripod, ISO 50, 1/250th – 1/320th second, and at F2 to F11).

As for photo-shoots of horses… bye-bye landscape methodology.  Except for focus, manual configuration remains in place for me.  However, the camera gear and my ability to manipulate it are put to the test.  The Sunset Serenade shot was captured by the PHASE ONE (think heavy gear), ISO 1600, 1/2000th of a second and at F2.8.

 

Mothers and Their Babies

Tell me a Bedtime Story © Jeffrey H. Lubeck – Courtesy of MESH Galley – all rights reserved.

Baby Mountain Goats begin to travel with their Mother and siblings just a few days after birth.  They are desiring of breast milk while the family members seek food and shelter in remote areas all the while the baby is subject to great danger.

As part of this year’s photo-shoot of Mountain Goats with Nappy Neaman,  I learned about the greatest threat to newborn Mountain Goats; Eagles.  Yes, Eagles.  I learned this fact from Nappy after asking him why are the Golden Eagles constantly circling above the canyon’s.  Spend more than 30 seconds thinking about it and a predator towards the top of the food chain seeking these tiny animals makes total sense.  Nappy explained that if the baby strays too far away from mom, an eagle will swoop down, collect the baby goat, carry it up high, drop it to the canyon floor below and begin its feast.  Ugh!

In a drainage Nappy calls Black Rocks we sight three different female goats with newborns and in two cases additional yearlings.  It is an interesting mix to watch interact.  Having arguably the nation’s top expert at my side for the play-by-play call and color commentary makes the experience about as good as it gets.  The feeling is similar to going to a live baseball game, sitting in field-box seats, and having Vin Scully next to you in person.

Nappy: “Here we go Jeff… mom on the move to the right on grayish red rock shelf with the baby two strides behind looking for its next milking…”

Vin: “Great to be at the goat sighting in the company of Nappy and Jeff … brought to you by Lean Farmer John Meats.  Interestingly enough… as rock falls below mom low and away… the canyon straddles two types of geological formations.  First and to the west is a collection of Eocene granite, pink granite, syenite, rhyolite dikes, and rhyolitic shallow intrusive rock.  Second, and slightly to the east begins what makes up the Boulder Mountains… Eocene granite, pink granite, syenite, rhyolite dikes, and rhyolitic shallow intrusive rock.”

These photo-shoots have been demanding on a host of fronts.  The hiking and rock scrambling at high elevation with a heavy pack is always a challenge.  Another challenge is trying to be close enough to observe but not interfere with the animals.  This approach requires us to sit on one side of a canyon looking for Mountain Goats on the other side.  The implication is I am constantly re-evaluating what camera and lenses I want available to me during a shoot.  For one portion it the the PhaseOne IQ and XF with prime lenses from 35-240MM.  For others it is a Nikon D810 with a 70-200 Zoom, 600MM, 800MM and 1000MM lens.  The photo’s on this post were shot with the Nikon and the big long lenses.  Therefore we had to identify and then photograph the animals from 2,000 to 4,000 feet away.  Add in dramatic shifts in the light from low and flat to bursting bright with animals constantly moving and you got yourself a tricky photo-shoot.

 

Follow Me Little One. © Jeffrey H. Lubeck – Courtesy MESH Gallery – all rights reserved.

 

What’s Up Honey? – © Jeffrey H. Lubeck – Courtesy MESH Gallery – all rights reserved.

 

I’ll Just Stand Here Under You. © Jeffrey H. Lubeck – Courtesy MESH Gallery – all rights reserved.