April 2026
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Little Women Version 8 – It is The Best.

How many times can or should a story be filmed or refilmed for theatrical release on Broadcast T.V. or in Theatres?

Little Women based on the novel by Louisa May Alcott has eight versions created for Television or Theatrical film Release.

The versions: 1918,1933,1949, 1978, 1994, 2017, 2018 and 2019.

I read the novel in High School and fell in love with the story. My favorites in terms of visual story-telling were the 1933 and 1994 incarnations – with 1994 winning by a nose.

That was until I viewed the 2019 release. If the horse-racing metaphor is continued, the 2019 version wins by a 1/4 length.  So why?

Writer Director Greta Gerwig and Actress Saoirse Ronan are at the top of my I Will Go See Anything They Are Involved With List.  If Gerwig Players Group Members Tracy Letts and Timothée Chalamet are in the film – its result can only be improved.  If the Actor who can play any role as good as can be performed – Meryl Streep – happens to be included – you need to see the film – do not ask questions. If Chris Cooper is also on screen – just go to your nearest local theatre.

Little Women 2019 has as all the elements described above involved.  The strengths of Little Women 2019 far out-weigh its weaknesses.

The weakness of Little Women 2019 is in its portrayal of the happy and silly times.  The scenes seem forced and somewhat disingenuous.  In short, the Actors feel as if they are acting – not themselves.

The strength of Little Women 2019 is in its portrayal of the normal-day, challenging, stressful and desperate times.  These scenes seem genuine and real. Another strength is the Story-telling is non-linear.  This approach gives context if it works.  If not the viewer is lost.  It works in this film.

R.I.P. Buck Henry

One of the wonderful aspects of life is that the work of someone’s career can last and be enjoyed long after their passing.

Henry Zuckerman also known as Buck Henry passed away the other day.  Henry was a wonderful performer, writer, and film director.  Henry started as a comedic actor first – most often playing dry-by the book-mousey types.  He was brilliant in these roles.  Buck was the host of Saturday Night Live 10 times in its early years. Henry, however was a brilliant screenwriter.

In the space of three years Buck Henry would create the screen plays\stories for The Graduate, Get Smart, and Catch 22.

Henry Directed and Co-Starred (as The Escort) in Heaven Can Wait one of my very favorite films.  Heaven Can Wait won 5 Academy Awards (Best Picture, Best Actor, Best Supporting Actor (Male and Female) and Best Art Direction.  It was nominated for 4 others (Director, Screenplay, Cinematography and Music).  Heaven Can Wait was a terrific collaborative effort between Henry and Warren Beatty.  In it Henry (as the Escort) delivers to Warren Beatty (Leo J. Farnsworth) one of my very favorite lines in film:

Mr Farnsworth do the words “not being a good sport” mean anything to you?

R.I.P. Buck Henry

Sticking it to Teflon… Almost

The plot of Big Business and or Big Government against the commoner with a rigged outcome as the likely result has been the foundation for some memorable films.  The Rainmaker, Runaway Jury, and A Civil Action are the juicy and colorful versions that come to mind.  The Insider and The Verdict are the brooding darker editions that immediately jump out to me. Spotlight the Academy Award Winner for 2015 is a blend of both.

Dark Waters produced by and starring Mark Ruffalo is of the brooding, dark, and completely exhausting ilk.  By the films’ end the characters are completely drained and so it could be said for most viewers.  Dark Waters does not sugar coat or lighten things up.

Director Todd Haynes (Carol) creates a pace and landscape which demonstrates with great effect how overwhelming a fight against the system in the wrong can be made to atone for its sins can feel. Cinematographer Edward Lachman (Erin Brockovich) cements the feeling with a cool, dreary, and not quite winter not quite fall lighting and setting.

The roles for the supporting cast of Anne Hathaway (Devil Wears Prada), Tim Robbins (Mystic River), Bill Camp (12 Years A Slave), and Mare Winningham (Threshold) are solid and fairly well performed.  The actors are challenged lines evolking the same dreary and likely outcome.

Dark Waters wants the viewer to feel what the actors are experiencing.  It succeeds, but be careful what you wish for.

It should be noted that by Hollywood standards this film about lawyer Bill Billot and his fight against E.I. Dupont Chemical and its Teflon product is a true story.