April 2026
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Marriage Story – If Only

With Writer Director Noah Baumbach, dysfunction in individuals and families is usually the central theme of his films.  More often than not, the films are a blend of Drama and Comedy with the script being rich, harsh, and nuanced.

The Marriage Story starring Scarlet Johansson and Adam Driver is about a married couple and a family we meet during the early-stages of breaking-up.

In the Marriage Story the couple and son as the main characters are less quirky and arcane than in Baumbach’s earlier offerings. In the Marriage Story the supporting characters are exceptionally dysfunctional and self-serving.  They also fuel and exploit what dysfunction the couple and son possess.

What is clear in the Marriage Story is the couple care for each other.  Two other things are clear. 1. Under certain conditions they could and should  stay together – if only they can better understand what each other is saying and accommodate each others needs in the marriage. 2. There is no chance these people should stay together given where they are in their lives and who is influencing their decisions.

As with almost all of Baumbach’s works, there are scenes and sequences that are truly maddening and frustrating.  Most of the male and female actors Baumbach casts thrive with the material and direction. Scarlet Johansson, Adam Driver, Julie Hagerty, Merritt Weaver, Laura Dern and Ray Liotta in the Marriage Story do as well.

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Jeff’s thoughts and worthless trivia.

The Marriage Story is a tough watch.  In this film, I walked away from it in the middle.  I do not want to say why as it would give away key aspects of the story-line.  I did return after considering that Baumbach’s films while hard to watch always provide insight and context.  This insight and context has proven to be helpful long after the film’s end.

Merritt Weaver (as Jackie) has a small role in the Marriage Story.  Weaver is superb in it. If you watch\rewatch the films Signs, Michael Clayton, Into The Wild, Righteous Kill, Tiny Furniture or Birdman, Merritt Weaver will appear in a supporting role and play the character wonderfully.

1917 – War on the Run

In the Sam Mendes directed film 1917, life for two soldiers in The Great War, moves in real time from a quiet respite under the shade of a tree to an all out sprint to save 1,600 comrades from massacre.

For almost all of its 119 minute runtime 1917 presents the misery and challenge of war by following Lance Corporal Blake and Lance Corporal Schofield who are ordered to travel cross-country on foot to deliver a message to a Brigade about to advance into a deadly trap.

The trek of Dean-Charles Chapman (Game of Thrones, The Commuter) as Blake and George Mackey (Captain Fantastic) as Scofield is shown as if taken in a single shot sequence.

Academy Award Winners Cinematographer Roger Deakens, and Production Designer Dennis Gassner team up for third time in 1917 (Blade Runner 2049, Skyfall being the first two).  The viewer is put along side the two soldiers – seeing only what they see. The result is visually breathtaking.

1917 works in great part because of the storyline and dialogue – by screenwriters Sam Mendes and Christy Wilson-Cairns. They provide you a means to care for two people you know absolutely nothing about, whom you first meet while they are resting under a tree, and with no backstory whatsoever.

The film score for 1917 is from Thomas Newman.  Newman (The Shawshank Redemption, The Horse Whisperer) has been nominated for an Oscar 15 times without coming away the winner.  The music in 1917 is wonderful and perfectly fitted to each scene.

Judy- Fascinating & Sad Watch

Judy Garland the Actress is the epitome of the very best and very worst of the Hollywood Studio System in the 20th Century.

Dorothy Gale & The Wizard of QZ and a women who effectively dies alone at 47.

Judy, the film starring Renée Zellweger presents Garland in the last year of her life.  While the film Judy is not necessarily depressing or a downer – it is sobering.

Zellweger is superb as Garland on every single front.  Zellweger as Garland can sing with swagger and also be a completely unreliable pain in the ass with a mean streak.

The surrounding story foundation and characters are adequate (at best) to provide the back-story and foundation for the premise of the film.  Jesse Buckley as Garland’s handler while in London is very good, but this movie is all about Zellweger as Garland.