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Capturing The Valley – A Walk Through The Meadow

On this morning in July, Linda, our Border Collies (Sage and Willow), and yours truly take our normal daily walk.  We are exceptionally fortunate that our daily walk is six miles in length and is located in the Sawtooth Mountain Wilderness of Idaho.  It is otherwise known as America’s Alps.

In the meadow at our house, the Globosus Penstemon wildflowers are peaking.

We rise before dawn and hike out through the meadow to the base of the mountain in the Goat Creak Basin.  About 1/2 way out, I place my camera in the position I desire in the meadow.  I capture the image below on our return,  Linda, Sage, and Willow are to my left as the image is recorded.

Goat Creek Meadow and Basin in Summer – © Jeffrey H. Lubeck – MESH Art – all rights reserved.

TÁR: All Out Brilliant

TÁR the Todd Field film is a scandalous, scary, thriller, film noir, film built for lovers of all kinds of music, and a pleaser for Art House audiences and audiences that love to snicker at Art House audiences. TÁR starts out in what appears to be a a High Brow Self Serving long-form interview documentary. It finishes in what appears to be a companion piece to Apocalypse Now. How can that be?  I am not sure at this point.  I will need to re-watch TÁR about 10 more times to figure out how this is pulled off.  But it is!

TÁR sucks you into multiple storylines – all are compelling and utterly believable.  Some storylines appear to be for elite’s and lovers of the arcane.  In the end nothing is what it seems. The storylines seem to be built for the lovers of High Art to embrace and acknowledge yet simplified for us commoners to understand and enjoy.  Other storylines are as common as the Sun rising.  Put simply, you can run but you cannot hide. TÁR will likely force you to deal with a wide gamut of emotions. For me they are hard to explain and better left unsaid.  However, I would love to talk with you about them after you have seen the film.

The center of TÁR is eight time Academy Award Nominee (two time Winner) Cate Blanchette.  As most know, Blanchette is a chameleon.  There is hardly a persona, emotion, behavior, accent, or language Blanchette cannot present with perfection.  She and Meryl Streep are as good as it gets on this front.

While Blanchette’s performance is one for the ages; the script, production values, performance of supporting actors, cinematography, and music score are A-List kind of works.

Capturing The Valley: Doves Out on a Limb

A family of doves reside at our cabin in the Sawtooth National Forest.  When on our property they spend most of their time observing the bird feeders from the limb of a Lodgepole Pine tree about 75 feet away.

There appear to be six doves that hang around the house.  They do not frequent the feeders with the same regularity as the other birds.  The doves seem to focus on feeding on the ground near the feeders.

*** Jeff’s Worthless Trivia and Other Thoughts ***

One type of camera and gear that I utilize to photograph wildlife is the Nikon Z9 and Z series of lens. I used the Nikon kit to capture the for this Post images.

The Z9 can capture FULL FRAME 35MM Digital images with 14Bit Color and 45 Megapixels at 20 Frames per second.

So what do those specifications mean from a practical perspective?  It means high resolution images of the mourning doves with terrific color, and depth of field can be captured in a blink of their eyes.

Specifically for this shoot I used the Nikon Z9 camera and the Nikon Z 400MM f/2.8, Nikon Z 560 MM f/4, and Nikon Z 800MM f/6.3 Prime lens’.

I photographed the birds in the early morning with the sun behind me to my left.

The camera is located about 150 feet from the birds.

I photographed with a Gitzo carbon-fiber Tripod.

I photographed with an Arca Swiss C1 Cube Head.  I used an Arca Swiss foot to replace the non Arca Swiss foot provided by Nikon.  The foot was placed on the Lens not on the camera body

I photographed at the camera and at times hidden from the birds view utlizing a remote trigger (PocketWizard PLUS IIIe with additional 10 PIN cable required for use with Nikon’s).

I photographed configuring the camera manually for its settings.  I sometimes use the extremely powerful setting combinations offered with the Z9.  However, more often than not, I like full control of the specific aspects and not ranges.

Depending on the light, the lens, and how much I thought the birds would move is used the following settings during the shoot:

Aperture: F/4.5 to f/11

Speed: 1/1250th of a second to 1/4000 of a second

ISO: 400 to 800

Focus:  Single Point and 3 dimensional tracking for Wildlife.

What did I use the most?  F/8, 1/3200 ISO 640 and Single Point.