March 2026
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Mud Is Gold. ****

Mud, the film Written and Directed by Johnathan Nichols (Take Shelter, Shotgun Series) is a treasure.  The story is engrossing.  It rivals what I believe are the standard bearers of this genre – Stand By Me, The Shawshank Redemption, and The Apt Pupil.  Ironically all of these films were adapted from the same book of novellas The Different Seasons (The Body, Rita Hayworth and The Shawshank Redemption, The Apt Pupil) written by Steven King.

Set near the town of Dewitt Arkansas and confluences of the White, Arkansas and Mississippi Rivers, Mud feels simultaneously mystical and everyday real. In addition to a wonderful main plot Mud provides a number of credible and interesting sub-plots. Mud gives us Characters that are total characters and others that are honest and simply bearing the burdens of hard scrabble living.  Mud is about people who are trying to make ends meet from the bounty offered by working the river or ones trying to lay low and out of the way of attention.  Mud presents us with families grasping for stability.  Mud presents us with young teenagers who can astonish with both insight and naivete.  Mud shows us how love can be used, misinterpreted, unrequited and given selflessly. Mud reveals what it is like to gain strength and feel disappointment from those you trust and love.

From a technical perspective Mud is a very fine film as well.  The locations used for the film are superb, exist in real life and all sit well within 100 miles of each other.  Mud is a Wide screen film (2:35 to 1 aspect ration) and Adam Stone’s (Take Shelter) cinematography and lighting are the equal of the script and acting.

Greenhorn on a Afternoon in June

On a sunny and warm afternoon in June I decided to take the girls (Shae Dog and Merry Dog) up Greenhorn Gulch.  To think this five mile stretch of trail from the Greenhorn trail-head is gulch-like would be a mistake.  The trail features a gentle slope, a creek of its namesake for the entirety, beaver ponds, tall fir trees, aspens, open space filled with native grasses, cool shade and warm sun.  I have had the fortune to walk, hike, run, bike and ride horses on this section of trail from late May through December for the majority of my adult life – for which I never tire.

Flowers underneath the canopy at 3PM.

Most, if not all of the magic in a photo is delivered via light.  Although this may be stating the obvious, it means photos like the above are best captured within an hour (or less) of sunrise or sunset.  Greenhorn presents another opportunity – light as a result of shade and angles from a narrow canyon and tall trees providing a magnificent canopy.

Shadow and Sun on Greenhorn

 

For those who know and love Greenhorn – the point of demarcation. You are officially near or away from trail-head.
Taken late afternoon just before sunset – June 2012.

 

Shadow Dancer: Intelligence Lost via Franchise Scheduling? *** 1/2

Shadow Dancer is a compelling movie worthy of your time and money.

Similar to Carol Reed’s **** Odd Man Out (1947) and Neil Jordan’s **** The Crying Game (1992), Shadow Dancer is an expertly paced thinking person’s Thriller about a conflict on the British Isles.  At 106 minutes run-time there are no Computer Generated Images (CGI) that need to be replayed 246 times (in order to properly amortize the expense) or Product placement. Also there are no trite and easily discarded Villains with overly long scenes explaining to our Lead actors why they must be killed by a school of Chilean Seas Bass ready to feed in a nearby pool.  Shadow Dancer is overt and subtle at-the-same-time. Just ask Ma – superbly played by Brid Brennan.

Shadow Dancer showcases two stars; the versatile, handsome and vulnerable Clive Owen (AAN The Closer, Children of Men, The Grouper) and the up and coming, handsome and vulnerable Andrea Riseborough (Oblivion).  Shadow Dancer also features, the handsome and not-so-vulnerable Gillian Anderson (X-Files) whom is somewhat misplaced, but intriguing non-the-less.

Shadow Dancer is Directed by Academy Award Winner Tom Marsh (AA Man on Wire) based on the screenplay and novel written Tom Bradby.

I never grow tired of intelligent films like these and at least for now – they can still be financed, made and released.