March 2026
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Snow, Clouds, Sun, Cold, and Moisture Mixing It Up in February

Moody AM on Decker Peak Copyright Jeffrey H. Lubeck – MESH Art LLC. – all rights reserved.

Thompson and Williams Peaks in the Pink. Copyright Jeffrey H. Lubeck – MESH Art LLC. – all rights reserved.

Steely Morning on the Northside. Copyright Jeffrey H. Lubeck – MESH Art LLC. – all rights reserved.

Baldy on a Sunday Morning in Winter Copyright Jeffrey H. Lubeck – MESH Art LLC – all rights reserved.

February in the Northern Rockies of Idaho has experienced a remarkable mixture of winter weather.  Systems from the north, south, and north and south at the same time hit the region in a line of succession over a period of two weeks.  We received as much as 29 inches in less than 24 hours and 1-5 inches for seven straight days.  The moisture content varied from fairly heavy to super low.  While there was no Pineapple Express there were a few period were the temperature did sit a few degrees above freezing.

From a photographic standpoint the breaks in the weather systems provided a wonderful opportunity to capture images of my favorite spots in different light and color settings.  Each of these images were captured within a few miles of the cabin in Stanley, Idaho on the same morning in a 90 minute period.

First Man is Grade A

It takes great talent and skill to tell a story we think we already know with an outcome that is also believed to be well known and make it compelling. With the film First Man Director, Damien Chazelle (AA Whiplash, 10 Cloverfield Lane, AA La La Land) demonstrates he has the talent and skill on this front.

First Man presents us the life of Astronaut Neil Armstrong and the American Space Program through his eyes from 1961-1969.  First Man is superb if only viewed for the production values, visual effects, sound, and music score.  However, that would be underselling First Man to a great degree.  All of the actors playing the roles of people involved in Gemini and Apollo Mission are believable and additive. Josh Singer’s (The West Wing, AA Spotlight, The Post) screenplay provides just enough depth and breath to pull this off.  Singer accomplishes the same with injecting aspects about what was  going on with America in general at the time as well.  Singer also provides in a nuanced manner aspects about the relationship between Armstrong and his Wife (Janet).

Ryan Gosling (Half Nelson, Lars and the Real Girl, Fracture) is superb as Armstrong.  Neil Armstrong was ultimately known as a person of strong internalized belief in one’s self that was constantly challenged with melancholy.  As in Lars and the Real Girl, Gosling pulls this aspect off with outstanding effect.  Gosling is so understated in the role, his successful portrayal is at risk of going unnoticed.  Claire Foy (The Crown, Unsane, The Girl in the Spider’s Web) plays the role of Janet Armstrong with equal effect.

However, the production values of First Man is what shines brightest.  Chazelle and the Production team have created a film that is highly immersive and convincing. You often feel as if you are the one in an out of control test vehicle, sitting strapped into a space ship experiencing the G-Force associated with being on top of the the most powerful rocket ever built to this day (Saturn V) or landing on the moon.  What may also jump out in this era of IPhone’s and self driving cars, is the archaic nature of technology in the 1960’s versus today.

The combination of all factors important to the success of a film exist in First Man.

——

Jeff’s Worthless Trivia and Other Thoughts

I am fortunate to possess the signatures of the three astronauts involved with the 1st Moon Landing on the same piece of paper; Neil Armstrong, Buzz Aldrin, and Michael Collins.  It was given to me by my father.  I was infatuated with the Manned Space Program as a young boy.  My Dad, given his position as Managing Editor of the Detroit News, loved what the space program was about and devoted big coverage to it. After quarantine was completed, he asked the three of them to sign it for me.

Tough to Follow Brilliance: The Girl in the Spider’s Web

The film The Girl in the Spider’s Web is a solid conventional Hollywood production.  And now comes the but…

It follows the original three The Girl... novels of the Millenium Series. The Millenium TV Series in Swedish. The Girl movies in Swedish starring Naomi Rapace. The Girl With The Dragon Tattoo in English starring Rooney Mara. All brilliant bodies of work.  Steig Larsson, the creator of these works, died in 2004.

David Lagercrantz was contracted to continue with the Millenium Series novels.  He has produced two with favorable results in terms of reviews and sales.  The first novel: The Girl in the Spider’s Web was published in 2015. The second novel: The Girl Who Takes an Eye for an Eye was published in 2017. I have read both books, and they are good reads.

If you know nothing of the original works and have not viewed the movies, The Girl in the Spider’s Web would be considered a pretty solid worthwhile watch.  It is a thriller made using good, predictable, and reliable Hollywood playbook formulas for the genre.

Unfortunately viewers who are familiar with the original works (like me) may feel cheated and or deprived by this latest installment. With The Girl in the Spider’s Web there is no exotic otherworldly Lizbeth or tawdry pot-boiler storyline that contains a dash of naughtiness and sin added for extra measure.  There is no eclectic and memorable musical score such as that by Trent Raznor.  Director Fede Alvarez creates no riveting feel to the presentation when compared to what was accomplished by David Fincher, Niels Arden Oplev, or Daniel Alfredson.

Instead The Girl in the Spider’s Web is a by the book and by the numbers production.  For example, Claire Foy (The Crown, Unsane, First Man) plays the role Lizbeth.  Foy is becoming Hollywood’s choice for Leading Lady in films – with 3 releases alone in 2018.  Foy is girl-next door “pretty.” In First Man, Foy is superb as Janet Armstrong.  In this film it is as if 10 minutes of makeup and a few clip-on nose and earrings were used to make Foy look like Lizbeth.  However in comparison, Rapace and Mara transformed every aspect of their being and turned into Lizbeth.

Sverrir Gudnason (Borg vs McEnroe) as Mikael Blomkvist and Vicky Krieps (Hanna, A Most Wanted Man, Phantom Thread) are excellent actors with great performances on their respective resume’s.  However, both in this film feel as if they are mannequins when compared to the other actors who have played these roles.

The Girl in the Spider’s Web is worthy of a viewing, just do not expect it to be similar in any fashion to the earlier works.