February 2026
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Mass – Engrossing and Gripping

Franz Katz’s film Mass is engrossing and gripping for its entire 1 hour and fifty-one minutes of viewing.  Mass is the story of two couples attempting to deal with a central event that has impacted their live in a material fashion.

The script by Katz feels like a real-life situation where the principles are trying to reach a core understanding behind an event.  However, the do so by working around the edges, so as not to create a unintended blowup or implosion to the meeting –  like so many attempting to establish clarity and resolution.

The tension, unease, and apprehension in the room could be cut with a knife.  The four main actors Jason Isaacs, Martha Plimpton, Ann Dowd, and Reed Birney are nothing short of superb in their roles.  While Issacs and Plimpton of often play the Lead, all four are usually cast in major supporting roles in stage, film, and T.V. production.  For the script to realize its full potential, an ensemble cast of superb actors who can play off each other is required.  Mass has such a cast.

The subject driving why these people are attempting to get together is a tough one.  Unfortunately, it has become more prominent in America life and a solution to it seems to be no where close.

Mass does not attempt to deal with the issue directly or in a way that would easily alienate some group along social and political lines.  This might be a good thing.  Instead Mass focuses on the human element and the impact such an event has on them.

Mel Brooks All About Me Is Just That

As the title suggests, Mel Brooks focus’ heavily on himself in his autobiography.  This approach is not necessarily a bad thing.  All about Me is not a tell all book.

Mel does not focus on telling dirty secrets, or revealing lurid details or weakness’ as they relate to his family, acting, or business partners.  In fact it is quite the opposite.  Brooks heaps huge and endless praise on those who helped him succeed.  It did feel a bit strange, that Mel provided very little detail on his adult life (non show business) or his first wife and children.  There are only mentioned in passing.

Instead Brooks spends a great deal of time talking about his childhood, teenage, and military years.  From this point forward each chapter is devoted to an aspect of his career – USO military, Radio, TV, Movie, and Broadway.

Mel Brooks All About Me is a great success because the stories are funny, insightful, and endearing.  What makes the autobiography sing is the narrative.  It is written as if Mel is having a conversation directly with you – the reader.

While not overtly stated, two running themes appear throughout the book. First, Mel is constantly seeking to be recognized (with re-affirmation) for his professional skill and acumen. Second, money (or lack thereof) is a big thing.

Capturing Kauai – Honopū… Astounding and Sacred

Honopū Oh my! I never tire of being in the proximity of Honopū.

Whether it is the summit, ridgeline, valley or shoreline I am lucky to have all of it as my backyard.  Am I worthy?  Not a chance! I make no apologies.

On this day – three before the New Year – I head to Honopū Ridge.  My target is the first viewpoint of the Honopū Valley on Honopū Ridge.  Why? I am acting as a guide for film editor Cameron Fuller.  Cameron has asked that I take him to an extraordinary place.  Honopū was my choice.  A few days earlier, I had the chance to view the Honopū Valley and Ridge from a Catamaran just off its shore.

Fuller is a refreshingly honest, low key, highly skilled, self ware guy.  I wish I could claim the same.  Unfortunately, I cannot.

Normally, at this is the point in the story, I would make a joke that my first choice would be to visit the Lift Bridge on the Cuyahoga River in Cleveland Ohio – as it catches fire near the Flats.  I will not.  Why?  I am originally from Detroit, and therefore would be subject to all kinds of abuse from people in Cleveland.

As I did on the Christmas adventure up and down the Na Pali Coast with Linda Ruth Lubeck, I am not acting as photographer or Filmmaker on this trip. So none of my heavy-duty PHASEONE or Nikon gear accompanies me and down what semblance there is of a trail.  However, similar to the Na Pali trip on Christmas day, I bring my iPhone and Sony RX1r as photographic gear just in case a shot presents itself.  These tools are hardly chopped liver.

So while Fuller focuses on capturing sequences in 6K video format [albeit successfully], I set my attention on other things of interest.

Honopu Valley from first viewpoint on the Honopu Ridge. Four Catamarans are in the ocean just offshore. The native size of this image is 20″ by 60″, which makes the Catamarans highly visible at 100% size.

Honopu Valley on Christmas Day 2021

Honopū Ridge end on Christmas Day 2021

—– Jeff’s Thoughts and Other Worthless Trivia —–

The first vantage point from the ridgeline is superb (1.4 miles and 934 vertical feet of descent).  However, the end of the ridgeline (2.5 miles 1,934 vertical feet of descent) is breath-taking. 

The Honopū Valley remains a sacred place to this day.  In Hawaiian mythology, the Menehune are a race of dwarf people who came from Polynesia.  The Menehune lived in the forest and isolated places.  They were resourceful and excellent craftsman.  According to legend, the last Lost Tribe of Menehune lived in the Honopū Valley.

During the period of the Hawaiian Monarchy, the bones from the Chiefs who died were collected by a Warrior. It was believed the bones possessed super-natural power.  The Warrior would take the bones to Honopū and throw them from the Cliff.  Subsequently, the Warrior would be executed such that the location of the bones remain a secret.

Despite its remarkable isolation, Hawaiians lived in the Honopū valley into the 1930’s.

Honopū Valley and Ridge have been the setting (as stand-in for some other place) for some of Hollywood’s biggest box office films as well as many others.  They include King Kong (1976), South Pacific, Raiders of the Lost Ark, Pirates of the Caribbean (4th), Honeymoon in Vegas, and Six Days and Seven Nights.