May 2026
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After The Burn – Implication of Idaho’s Beaver Creek Fire

It is hard to burn a view down- The Pioneers from the top of Imperial Gulch.

On December 20th, 2013 The MESH Art Gallery and the the United States Forest Service collaborated to produce an exhibit and hold a discussion called “After The Burn – Implication of Idaho’s Beaver Creek Fire.”  The exhibit covered a number of topics related to the 110,000 acre forest fire that occurred in the summer of 2013.  The United States Forest Service had closed off the burned areas to the public.  In November 2013 the USFS gave MESH Art a permit to go back into the burned areas and document the initial burn.  My son Kyle and I are the owners on MESH Art LLC.

The Idaho Mountain Express covered the event and here story.  Kurt Nelson head of The Ketchum Ranger District led the discussion which was attended by 60 people.  Kurt has a wonderful style of being open and frank, yet exceptionally approachable.  It was great to see Idaho Mountain Express Publisher Pamela Ann Morris return to her reporter roots and ask a set of superb questions – which allowed Kurt to provide some insights to the audience they might not have other not learn.  Former (four-term) Ketchum Mayor and resident historian Jerry Seiffert finished the discussion by providing a great deal of historical context.  Kyle did an extraordinary job of preparing the Gallery and staging the event.  I showed up.

The Headlines:

  • The Castle Rock fire of 2007 effectively protected the towns of Ketchum and Sun Valley and the Bald Mountain Ski Mountain from the Beaver Creek fire.
  • The Beaver Creek fire was extremely hot – burning at 1,800 – 2,000 degrees Fahrenheit.
  • During the later stages of the fire, the USFS believed that if the last lines of protection failed the next points to attempt at stopping the fire would be Galena Summit to the north maybe Trail Creek to the east.

The Fire

We displayed some of my shots of the fire during its height.

Before and After

We displayed and discussed some of the area as its looked before and after the fire.

 

After

We displayed and discussed some of the area as it looks after the fire.

The first bridge from the trail-head was wrapped in foil to protect it from the fire; no luck.
Nickname: Kurt Nelson Future Memorial Bridge – your tax dollars at work.

 

The view up Greenhorn does not look promising.

Looking up Greenhorn – the fire did not move as far.

Some key trail markings survived; just a but worse for wear. Let’s call it seasoning.
Nickname: This Way please!

The burn was so hard and hot that rocks cracked.
Nickname: Pizza baking stone.

According to the Forest Service this Moose died after the fire.
Nickname: Wrong place at the wrong time?

Although the tree-fall was less than I expected – there were many that were burned and have already toppled.
Nickname: Honey I’ll clean up the yard on Saturday.

Much of the Old-Growth stands half-burned on the bark, and green on the upper 1/3 to 1/2. These trees might make it – probably not.
Nickname: Ying-Yang

Many groves of trees look okay, but Kurt Nelson suggests “these trees are dead and do not know it.”
Nickname: Council of Elders.

There are many spots (about 15%) of the area where you would be hard pressed to say a fire occurred.
Nickname: What fire?

Around the corner on the trail (from the image above) the forest is scorched.
Nickname: Standing in defiance.

The top ridge-line that encompasses much of the Imperial Trail replete with 100 yard pockets on no-burn, scorched, kinda burned.
Nickname: Whoa, that was close!

 

 

 

There is No Defying Gravity

The physics around gravity are undeniable.  The quality film-making associated with the movie Gravity is undeniable as well. Producer, Director and Co-Writer Alfonso Cuaron (Children of Men, Y Tu Mama Tambien, A Little Princess) has created a visually and emotionally engrossing film.  To suggest Gravity is a space flick would be the same as categorizing Cast Away as a movie about island life.

As with almost all of Cuaron’s original works Gravity’s storyline is deeply human and totally engrossing.  Combined with a short run tine (90 minutes) Gravity is over in what feels like a blink. This script was created by Alfonso and his son Jonas.

Cuaron’s teammate, Director of Photography Emanuel Lubezki (see Cuaron’s listing above, The Tree of Life, Ali, The Birdcage) provides a gorgeous tapestry of images coupled with some astonishing action.  The five time Academy Award Nominee is arguably one of (if not) the best in the business right now.

Sandra Bullock, George Clooney and Ed Harris (voice) lead a film that has only seven actors credited (five of which are effectively voice only).  Bullock is nothing short of superb as Dr. Ryan Stone, The role and script demand the actor display a professional in total focus, frailty, personal-loss, melancholy, outright-fear, perseverance, humor, compassion and faith in themselves.  Bullock, as usual, is more than up to the task.

Clooney’s role is truly that of supporting actor, not male lead.  Clooney’s character is light-hearted, optimistic laced with a deliberately fake veneer of pessimism and extremely cool under pressure.  None of this is a stretch for Clooney. So the performance does not seem outstanding – but that would be unfair, because we just expect Clooney to be spot on in this kind of role.

And as for the space vehicles and other technical stuff?  According to many industry experts Gravity is exceptionally accurate in its depiction of space travel, sans one gaping (and known to be so) plot hole.  Astronaut Michael J. Massimino who flew missions in 2002 and 2009 to service the Hubble Space Telescope was delighted that Bullock (who is supposedly performing a repair on the same device) was using what looks exactly like his “favorite space wrench.”

****** For Consumption after the Viewing *******

The Gaping Plot Hole:  in order to survive the astronauts must travel from the Hubble Space Telescope (HST) to the International Space Station (ISS).  This cannot happen because they are in completely different orbits – the HST at 353 miles above Earth and residing over the Equator, with the ISS at 253 miles above Earth and sitting over Northern Russia.  The difference of elevation and location of these two was a source of debate only 10 years ago.  The choice to keep them in different orbits was based on NASA’s fears and pull-back on future missions for the Space Shuttle after the Columbia disintegrated on re-entry in 2003.

In the film there are no depictions of sound in space – which is scientifically accurate.  The movie trailers added sound to attract viewers – thanks marketing department and trailer makers!

Gravity opens with a 17-minute continuous single shot.  Lubezki, is considered the master of the difficult (and often expensive) long continuous single sequence shot.  Many consider Lubezki’s long continuous single shot in Children of Men to be the Standard Bearer.

 

Fall Colors Moving Into Production

The Fall colors are starting to move into form around the house and region.  Are they coming into play at your place?

The reds are showing up first and this tree at the entrance to the property is fairly deep in color this year.

 

The Valley has had above average moisture so far this fall. The implication is early snow. I caught this shot just north of the house at sunset (Boulder Mountains at Silver Lake).