March 2026
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Initial Hands On with the Nikon D810

At The Start

The release of the D810 camera from Nikon corporation has reaffirmed my belief – invest in the lens.  Do not conclude that I think the D810 is not worth every penny of today’s dollar – doing so would be incorrect.  The advent of the body containing digital sensors and sophisticated processing engines instead of a film stock means the camera has a increased role in determining the outcome.  In short, the impact of a great piece of glass may [technically] be reduced, but not by much. The D810 shines on many fronts and delivers as promised.  However, the D810 proves to be a true bargain if you have already took the time to establish and invest in quality lens’ that works best in the settings and conditions in which you shoot.  For me many of those lens’ were in production long before this camera body was considered.

Elephants Perch – Nikon D810 and Nikkor AF DC 105MM shot at: ISO 64 F8 320th/sec

I am pleased that Nikon is selling a digital single lens reflex (DSLR) camera body for semi-professionals/professionals for a few thousand dollars with specifications that were nowhere close to being available a few years ago.  Yet, what excites me is that I could purchase the camera body without the need to buy a single new lens to enjoy its capabilities to the fullest.  Thank you Nikon, professionals providing Sage advise, and commentators on the web such as Ken Rockwell.

For most; the quicker, faster, better sell associated with the D810 is not applicable.  However, if your photography demands are of the highest nature (of which only you can truly establish and justify) the D810 could be a great choice.

The Obligatory Backgrounder

I attempt to create images that can be faithfully reproduced on archival grade canvas with pigment inks in sizes up to four (4) feet by 10 feet.  Many of these images are landscape in nature and taken in relatively remote locations reached in great part via a long hike and the use of a backpack.  The results appear exclusively at The MESH Art Gallery.

Over time I have owned or field-tested camera body and lens offerings from Cambo, Canon, Konica, Leica, Nikon, Mamiya, Phase One, Sigma, Tamron, and Zeiss.

For the past number of years my kit has been as follows:

DSLR 35MM: Nikon D3x camera and Nikkor Lens

4 by 5:  Phase One IQ Digital Back, Cambo Wide RS or Phase One 645 camera body, and Schneider or Rodenstock lens.

Thanks in great part to Capture Integration (Steve Hendrix) the 4 by 5 kit, despite its material cost has been nothing short of a winner in my book.

Nikon Equipment Left at Home Forever?

Despite the extra weight, bulk and lack of allowing for nimbleness the performance of medium format (4 by 5) equipment has forced the Nikon kit to stay home more often than not.  Can the Nikon D810 change things? I have decided to give this camera body a try and experience the results first-hand.

Initial Impression from the Field

I tried out the Nikon D810 with some of my existing Nikkor lens’s while figuring out the basics.  Although the locations are not elaborate, the results are on the post.  The camera is very comfortable and natural to hold during shooting. The movements and actions of the D810 are materially quicker and more responsive than the D3x. Surprisingly so!

My hope/goal is to prove/disprove over the next month or so that the Nikon D810 coupled with the Nikkor lens’s can provide a quality DSLR option to the medium format (4 by 5) when nimbleness is desired.

 

Morning Walk on Indian Creek – Nikon D810 Nikkor AF-S 14-24MM shot at: ISO64 F4.5 400th/second.

Early evening in the garden at the VC.

Flower Basket at the VC

Oops, the sprinkler. Nikon D810 Nikkor 50MM 1.4G shot at ISO 64 F2.5 1600th/second.

 

 

 

 

 

Hollywood See Hollywood Do – Dawn of the Planet of the Apes

The film Dawn of the Planet of the Apes provides a fair amount of likeable aspects for its viewers. Three of the them are not originality, filming locations, or appropriate length.  The injection of the standard issue Hollywood Summer Epic techniques (e.g., the overlong, implausible fight between hero and villain towards the end of the film), Campbell River British Columbia posing as Marin County California, and 15-20 minutes of needless screen time hurt what could otherwise be a memorable movie.

However, what Dawn of the Planet of the Apes offers to its viewers are strong lead characters, a sometimes compelling storyline and computer generated images (CGI) that in limited ways are terrific (i.e., the apes facial expression).  Andy Serkis (The Lord of the Rings, The Prestige, The Hobbit) reprises his role as Caesar the leader of the apes. Jason Clarke (Zero Dark Thirty, White House Down) plays Malcomb the leader of the expedition team of the human  survivors.  Both actors and the script associated with their roles are worthy of the price of a movie ticket.  Pretty much everything else in Dawn of the Planet of the Apes you have probably seen many, many, many times before and more often than not of better quality.

 

 

Sunrise South to North

My extended backyard ranges from Silver Creek Preserve to the south and the Redfish Creek Drainage to the north. America affixed rather lofty name designations to these locations – Fisherman’s Paradise and Shangri-la – respectively in the 1930’s. Today the designations remain appropriate. I visit the Silver Creek Preserve and the Redfish Creek Drainage often throughout the year – sometimes both in the same 24-48 hour period.

Considered by many to be the world’s premier Trout fishing location, the Silver Creek Preserve is also a great spot to sit-down, sit-back and observe.

Silver Creek Preserve at sunrise. Copyright Jeffrey H. Lubeck – All rights reserved.

On a Friday morning in July dawn is to commence at 5:30AM followed by sunrise at 6:05AM. My shooting spot on Silver Creek in 40 minutes from the front door of the house. On this day I estimate the best angle for light exposure is going to be at about 7:10 – 7:25AM. Ultimately, I show up at Silver Creek at 5:40AM.  I capture the shot above at 7:18AM

Moon-set (Full) and sunrise of Monte Verita, Warbonnet, and Baron Lakes from The Top of The Divide. Copyright Jeffrey H. Lubeck – All rights reserved.

For Saturday, the plan is to start the day by reviewing observations of the Michigan State University Basketball practice from Friday (as reported by Joe Rexrode).  Next is printing and framing a working prototype of Silver Creek from the day before, visiting with patrons of the MESH Art Gallery and then heading north to the Sawtooth Wilderness for a shoot from atop the Baron Divide.

The shoot requires covering about 20-25 miles and 6,000 vertical feet of gain in the round-trip.  I have made the choice of allocating 18 hours for the shoot – between leaving my boat at the end of Redfish Lake and returning to pick up Linda at the dock between 11:30AM to 12 Noon on Sunday.  Darn those allocations…  With somewhere north of 60+ pounds on my back this could be a real push.

Sunrise on the Redfish Creek Drainage from The Top of The Divide.  Copyright Jeffrey H. Lubeck – All rights reserved.

Thanks to my calculations of the angles of the Moon and Sun (and the fortitude/stupidity to be sitting at the top of the Baron Divide before sunrise) I get shots of the full moon setting and the sun rising from the top of the Baron Divide.  Sitting just a shade below two miles in the sky, the view is 360 degrees, so I turn around and capture the Redfish Drainage within a few moments as well.

Although it is the middle of July, snow almost always remains on the north-slope of the Baron Divide – and this year is no exception.  I meander (albeit) carefully down to the lakes working around the snow – knowing I must regain 1,500 vertical feet back to the divide.  The setting is awesome.  I grab some shots.  I look at my watch and determine I have to regain 1,500 vertical feet and traverse about 9 miles of up-and-down in wilderness back to the boat at the end of Redfish Lake in 3 hours (including making camp fit back into my bag).  I can do this – especially if a cup of Joe is purloined into my trusty 1992 National Championship Husky (Washington) Mug and is consumed while wearing my 100th Rose Bowl Football Championship Michigan State T-shirt, under my 2007 MSU Hockey National Championship T-Shirt, which sits under my 2000 MSU Basketball T-Shirt.  It is written!

Sunrise on Redfish Lake Independence weekend 2014 taken by Jeff and Kyle.

During the return, the heat of the day presents itself quickly.  By the time I get back to Redfish Lake the temperature is 92 degrees Fahrenheit. I traverse the length of the lake quickly in my boat and arrive at 12:18PM.  Linda is sitting on the dock taking in the sun.  She treats my tardiness as a rounding-error.  Linda has brought a tasty lunch.  She also takes over as captain of the boat and we head back to the other end of the lake for a picnic in the cool shade.  Seeing that a sunny cloudless sky at almost 7,000 feet elevation and 92 degree heat can be a rather toasty environment – one, two and even three dips into the lake are warranted.