March 2026
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Fall is Going Fast: Get Your Color Fix Before It Is Gone!

Okay, okay… I understand that you are very busy, very important, and buried in the details of one of the most important issues known to human-kind.  However, have you taken a moment to pull your head out from [fill in the blank] and soaked in the colors of fall-time?

In spite of being exceptionally self-important and consumed by a Presidential Election that is certain to send me to Canada on November 9th (no matter the winner).  I have done so. and so should you!

Click on the images below for an expanded presentation,

first-day-of-fall-sawtooths

The first morning of fall in the Sawtooths. I walked out from the cabin (in the trees straight ahead) to capture this shot.

river-of-no-return

The Arctic Willows at their prime fall color in early morning on Lewis & Clark’s River of No Return (Salmon River) above Fisher Creek.

If your cross the Wood River at the base of the Boulder Mountains (at your own risk) you can enjoy sunset on some hidden Beaver Ponds.

Aspens bursting with color at the base of the Galena Pass at the source of the Lewis & Clark’s River of No Return (Salmon River).

Thought Provoking & Somber With Grace – Literally: The Light Between Oceans

light-between-oceans

The film The Light Between Oceans could quickly and easily be classified as a tear-jerker Chick Flick sponsored by Kleenex brand tissues.  This characterization would be selling the film, its source novel, and its potential audience short, very short.  This is a story about making very… no.., extremely tough choices so as to benefit one that you love with a material risk to your own well being.

Yes, The Light Between Oceans could have been a costume-drama Hollywood executives chose to turn into a courtroom procedural or a thriller with car chases.  Car chases in the 1920’s in Australia are not as dramatic as in the 1960’s – 1980’s in San Francisco.

None-the-less The light Between Oceans is meant specifically for the brain and the heart to embrace and consume.

Michael Fassbender (Inglorious Bastards, Shame, 12 Years a Slave), Alicia Viklander (ex-Machina, AA The Swedish Girl, Jason Bourne) and Rachel Weisz (AA The Constant Gardener, About A Boy, Enemy At The Gates) are superb in the lead roles.

Ironically Jack Thompson and Bryan Brown two males leads of the 1980’s in Australian film (AAN Breaker Morant) are the key supporting characters in the film.  This is one of my favorite films.

Oh… then there is the music score by Andre Desplat (AA Grand Budapest Hotel, AAN The Imitation Game, AAN Argo), Cinema-photography by Adam Arkapaw (McFarland USA, Animal Kingdom) and costumes by Erin Benach (Drive, Lincoln Lawyer, Blue Valentine) These three aspects are worth seeing the film on their own.

Adding Up on Almost Every Count: The Accountant

theaccountant

Similar to General Accounting Principles (GAP), if filmmakers follow General Filmmaking Principles (GFP) a movie can operate by the books and in most cases be successful both financially and as entertainment for its audience.

The Accountant is an exciting genre film that while not overtly appearing to do so – follows virtually all of the GFP. The Accountant is a Super-hero film for Adults that is not dragged down by all the branding, licensing, and cross-promotional baggage brought on by an association with D.C. or Marvel Comics.  Although it should be noted that I would like to receive an Official The Accountant Pocket Protector ™ and a Official The Accountant Anti-Tank Rifle ™ from Santa for Christmas.

From a checklist perspective, The Accountant has an intriguing base storyline and sub-plots that are added and well extended. The Accountant has primary and secondary characters who’s roles are well developed.  The Accountant has music and sound properly blended into the film.  The Accountant has excellent acting and direction.

Ben Affleck (Gone Girl, Argo, The Town) is outstanding as the lead character – Christian Wolff. Wolff has an affliction that our society has a hard-time diagnosing and understanding – let alone treating correctly.  Affleck exhibits the traits of this affliction with superb effect.  The filmmakers seize this affliction, embrace it, and weave it and its implications into The Accountant with the precision a bespoken suit-maker.

As with any good Super-Hero feature there are supporting roles – almost all well played in this film. There is the good-guy, good-guy-bad-guy, bad-guy-good-guy, conflicted-guy, observer-chaser-guy, at-risk-needs-protection-guy, and of course the role-becomes-obviously-clear-at-the-end-and-you-should-have-seen-it-coming-guy.  Guy in this definition is both male and female.

As with any Super-Hero film the story and characters should not be scrutinized too deeply or for very long – as it will lead to the uncovering of holes, gaps and worst off  – your loss of suspended disbelief.  So yes, the bad-guy is going to do something at the end that makes absolutely no sense and leads to their demise. However, the film The Accountant is bad-ass good entertainment and I would see it a 2nd time in theaters.