Jeff Lubeck

The Forger’s Spell; A Dutchman’s Brilliance at Lying Instead of Flying

Eighty years ago, the most famous work attributed to 17th Century Dutch Golden-Age Master Johannes Vermeer was “Christ at Emmaus.” A consensus of art critics and art historians hailed it as Vermeer’s finest work. The painting (with other masterpieces) were sold to Nazi Reichsmarschall Hermann Göring (Hitler’s #2) for approximately $35 Million in today’s dollars. Göring fancied himself as an art expert with the greatest of eye for brilliance and taste who could “plunder” the art -world.

After WWII, Dutchman Han van Meegeren was identified as the man who conducted these transactions which were deemed treasonous. van Meegeren was charged with the crime which included a death-sentence if convicted. van Meegeren ultimately admitted to performing the transactions, but for a very different reason than plundering for the Nazi’s. van Meegeren claimed the works were fakes and part of a Con-game played against Göring. And how could Han van Meegeren prove the art critics, historians, and Göring had been duped? van Meegeren claimed he was the forger and repainted “Christ at Emmaus” while in police custody.

Edward Dolnick’s; The Forger’s Spell tells this true story and others related to it in a 349 page narrative that the best crime novelists would likely complement and applaud. Throughout the book Dolnick asks and answers in great detail virtually all of the questions you might ask. Why would van Meegeren do it and how did he do it?

The Forger’s Spell is a superior and fascinating read.

As many of you know Johannes Vermeer is my favorite painter of art. I have traveled the world to see his works in person. As a gift Linda sent us to the Low Countries to his works and his studio. The story is [here].

A Heist From a Different Mold: Widows

I like Heist movies – a lot. I like the big noisy kind such as The Town, the predictable, such as the Italian Job (both versions) and sometimes the star vehicles such as Ocean’s [enter number in the series here].

My favorite Heist type films are the ones with less a violence and more guessing what’s next. David Mamet’s The Spanish Prisoner and Heist come to mind first. Widows from Steve McQueen (12 Years a Slave, Shame) is along this line of film. It is not predictable and the lead characters play people who choose to perform a heist, against their better judgement, and are completely out of their element. Instead of a comedic depiction of people out of their element McQueen delivers a serious take – deadly serious. The reasoning for the heist provides a twist as well.

The screenplay for Widows is a collaboration between novelist screenwriter Gillian Flynn (Gone Girl, Sharp Objects) and McQueen. Flynn and McQueen have historically been excellent at depicting the tension of inequity especially if it involves race and gender. Widows does not fall short in this area.

As with most Heist type films Widows involves an ensemble cast – led by Viola Davis and Liam Neeson. All cast members are solid in their performances. Davis as we have come to expect is superb. Collin Farrell is excellent – what a chameleon.

While not perfect, Widows is worthy of a theater ticket purchase.

Late Fall in the Garden District

By Wood River Valley standards it is late fall. Sun Valley is making snow on Baldy and Dollar Mountain. Because it has been cold and clear – there is a great deal of snow on the ski mountains. There has not been much precipitation otherwise. So I decided to head up high into the Hemingway-Boulder Wilderness for the afternoon into the Garden District. I call it that because the area has The Rock Garden and The Secret Garden. My buddy Nappy Neaman established the names. Each Garden is home to the Mountain Goats of the Wood River Valley. Fellow back-country explorer Crist Cook and I performed a bit of reconnaissance yesterday; to establish light patterns and snow levels. We determined I would be good to go; up into peaks above the valley floor. My goal was to grab some shots of goats and capture a sunset shot of the Garden District.

The mornings have been chilly – 11 degrees at the house on this day. The temperatures got up into the mid 30’s in Ketchum during the day. The temperatures at 9-10 thousand feet north of town, including the Garden District peaked in the mid 20’s. Seeing it was cold and I was staying through sunset – I brought all kinds of clothing layers, energy bars, water and head lamp. Kyle (my son and co-owner of MESH Art and MESH Art at Heritage Hall ©) had me pack some hand-warmers and a hot thermos of coffee. The ascent into the Garden District is a solid challenge. The travel is all off-trail that includes tall Sage Brush and a fair amount of scrambling. We (actually Nappy) have five primary spots to look for Goats in the Garden District. I decided to journey up to the mid-point. This effort involves dealing with two steep sections in just a few miles of cross-country travel. Travel for me on this day includes lugging up a 1,000 MM lens in addition to a 50MM and 200MM.

Notes on the Goats (aka things I learned from Nappy): The mountain goat (Oreamnos americanus), lives only in northwestern North America, and is the only genus and species of its kind in the world. Its closest relatives are the chamois of Europe and the goral and serow of Asia. The domestic goat is not closely related to the mountain goat. The Mountain Goats of the Wood River Valley live at the very south-end of its native geographic range. The Mountain Goats of Utah, Colorado, and even Glacier National Park are non-native transplants.

At birth, young goats or kids stand about 13 inches at the shoulder and weigh 5 to 7 pounds. Yearlings may average about 45 pounds and 2-year-olds about 55 pounds. Mountain goats continue to grow through their fourth year achieving average weights of 125 to 155 pounds for females and 135 to 180 pounds for males.

The breeding season occurs from mid-November through early December. Females (or nannies) do not breed until at least 2.5 years of age. After a gestation period of 6 months, kids are born in late May or early June and closely follow their mothers for the first year. Adult females rank highest in the social order. By association, kids also assume the superior status of their mothers who vigorously defend them until they are yearlings. Yearlings drop to the bottom of the social order and are forced to forage last in areas pawed out by other goats. Kid and yearling survival may be less than 50 percent depending upon the severity of the winter. If a goat survives weather, falls, and predation by cougars, eagles and other predators during its juvenile years, longevity is normally 10 to 13 years.

Female-juvenile (nursery) groups range in size from two to well over a dozen mountain goats, with some groups up to 70 animals. Large groups generally occur during early summer when goats congregate on prime feeding grounds or at mineral licks. As the summer progresses and the vegetation dries out, group size diminishes.

By the age of two, males or billies begin to disassociate themselves from nursery groups. Outside of the mating season, males tend to associate primarily with other males. Females normally inhabit the most desirable cliffs which are also often more visible and accessible than areas frequented by males. From late October to mid-December, males seek out females, so both sexes can be found together at this time of year.

Below are images from today’s adventure.

The Forger’s Spell; A Dutchman’s Brilliance at Lying Instead of Flying

A Heist From a Different Mold: Widows

Late Fall in the Garden District

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