March 2026
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Living and Dying Becuase of Honor

Lone Survivor, Peter Berg’s graphic and little-nonsense film is filled with tense action scenes for almost 3/4’s of its 121 minute run-time.  Lone Survivor tells us that the best laid plans executed perfectly can be undone by the actions of other people simply because it is part of their everyday life. Lone Survivor tells us that because of honor – you may very well live or die.

With Lone Survivor, Berg (The Rundown, Friday Night Lights, Collateral, The Kingdom) has stepped off the gas in terms of standard Hollywood studio stylization. There are no scenes with our hero shooting bad guys with two rifles in hand flying across the screen sideways – let alone in slow motion.  The Bad guy is not a trumped up villain played by a Hollywood star [uncredited] as favor to the Producer.  Lone Survivor is not a film where the good guys hit every shot and the bad guys miss completely.

After establishing that members of SEAL teams go through the unimaginable for entry, have everyday lives back home and exhibit the same behaviors and idiosyncrasies of any tightly knit group; Lone Survivor moves to the the military mission at-hand.

Lone Survivor is based on the events of real-life and the screenplay was written by Berg and retired Navy SEAL Marcus Luttrell from his non-fiction novel of the same name.  Luttrell is one of the SEAL team members depicted in the film.

The Mission is a serious one – with its intended outcome being the death of a known and high profile enemy.  In Lone Survivor, the mission goes completely sideways – but not because of some easy scapegoat clearly identified in a foreshadowing event. In Lone Survivor, the SEAL team and its mission are undone by events of which no-one can completely anticipate and choices that might very well be correct and right – but may cost lives – including your own.  As the saying goes; in any project there are 50 things that can go wrong and if you are an expert you will think of and plan for 25.

In Lone Survivor, the SEAL team and its associated members go down hard – painfully and in a highly graphic manner.  Luttrell as the last SEAL team member alive is almost certain to die as well.  However because of honor, his life will be spared – the same type of honor that influenced the death of his team and fellow soldiers.

Is it His Her?

Her is an intriguing, sensitive and thought provoking – to the point of discomfort – romance film set in the future. Writer/Director Spike Jonze (Being John Malcovich, Adaptation, Were The Wild Thing Are) expertly tilts the viewers perspective to the point that you may seriously consider standing on your head – so as to get the correct angle.  In many respects Her is mesmerizing.  Jonze picks junctures in Her (often the most mesmerizing) to introduce an aspect of human life that at-a-minimum will make you think and at-a-maximum will force you to shift uncomfortable in your theater chair.  These sequences do not last long from a movie run-time perspective, but they will linger in your mind (and possibly in the pit of your stomach) for a while.

Joaquin Phoenix is superb as the melancholy Timothy Twombly.  Phoenix (Gladiator, Signs, Walk The Line) presents a Twombly that is sensitive, caring, introverted and protective of his feelings.  Twombly is at this point in his life – emotionally lost and deciding if trying to regain his self-esteem is worth the effort.  Enter Her (aka Samantha) played by the voice of Scarlett Johansson.  Johansson (The Horse Whisperer, Lost In Translation, Girl With The Pearl Earring) is no less effective as Phoenix.  Samantha and Twombly hit it off from their first interaction.  Their relationship evolves quickly – sometimes in astonishing leaps and bounds.  The story covers and reveals how relationships and people grow, grow together and grow apart in both touching and unnerving fashion.

Her has a variety of scenes (many very short) that are played by top-line talent (often uncredited).  It was a treat to later learn the voices behind some relatively provocative scenes.  Olivia Wilde, Rooney Mara and Amy Adams – additional top-line talent – play important supporting roles.

Patience, Perservance and Forgiveness

Seeking the answer to a question can prove problematic.  In Stephen Frears‘ Philomena getting an answer after 50 years of asking and not receiving one requires untold patience, perseverance and forgiveness.

Frears (My Beautiful Laundrette, High Fidelity, The Queen) is a top-notch storyteller and Philomena provides a compelling storyline and material. Add two superb lead acting performances and you will conclude Philomena covers a variety of subjects with a level of acumen few films achieve and more often than not botch.

Steve Coogan (Tropic Thunder, Night at the Museum, In The Loop) and Judi Dench (Skyfall, My Week With Marliyn, AA Shakespeare in Love) connect as the leading actors.  Coogan and Jeff Pope co-wrote the screenplay adapted from the non-fiction novel by Martin Sixsmith.

Philomena is a carefully paced film that takes the time to ensure that you understand the characters and their motivations – it is worth the investment of your time.