March 2026
M T W T F S S
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Home is in the Heart: Brooklyn

brooklyn

Brooklyn is a subtle and nuanced film that successfully reveals its story and characters with a simplicity and elegance that is a rarity in 21st century film.  There are three stars in Brooklyn – Saoirse Ronan; its lead actor, the screen-play by Nick Horby, and the costumes by Odlie Dicks-Mireaux’s.

Ronan, the chameleon of appearance and voice shines yet again, leveraging Nick Hornby’s script and Odlie Dicks-Mireaux’s dresses to perfection.  Ronan (AAN Atonement, Hanna, The Grand Budapest Hotel) plays Eilis, a young girl of the early 1950’s discovering herself with a guarded sensibility who evolves into a women of quiet confidence in almost baby-like steps.

Hornby (High Fidelity, About A Boy, AAN An Education) himself a celebrated author, adapted the screenplay from Colm Toimbin’s novel of the same name.  Hornby’s script never lets Brooklyn fall into the realm of a steamy pot-boiler or stale costume drama.

Odlie Dicks-Mireaux’s (An Education, The Bank Job, Dirty Pretty Things) selections for each of the character’s match with great effect, a period when people dressed for dinner while living in boarding homes. Ronan wears each outfit as if she is the common-girl equivalent of Grace Kelly in Rear Window (1954 in Edith Head Costumes).

Brooklyn utilizes a host of supporting characters, who’s roles are small but critically important to the choices and directions taken by Eilis. Eilis’ two male love interests Emory Cohen as Tony, and Domhnall Gleeson as Jim are solid choices.

—–

Notes and Worthless Trivia from Jeff 

The beach scene in Ireland is a grabber – the light blue gray skies are a high point of the cinematography offered in Brooklyn. Curracloe Beach, Ballinesker, County Wexford, Ireland was the filming location.  The same spot was utilized to portray the D-Day invasion at Normandy Beach in the film Saving Private Ryan.

Ronan pronounces her first name “seer-sha” as is tradition while in Ireland and “sur-shuh” while in the United States.  She gained a few pounds in weight for Brooklyn to better match the more common figure type of the period.

Gleeson has a starring or principal role in four Oscar nominated films for 2016 – Brooklyn (3), The Revenant (12), Star Wars – The Force Awakens (5), and Ex Machina (3).  He is good in each film and the roles are all different.

Ronan was nominated for Best Actor in a Supporting Role Oscar for Atonement; my favorite film of 2007.

Gleeson co-starred with his father Brendon in Calvary; my favorite film of 2014.

Hornby wrote the novel About A Boy which was made into a film of the same name; my favorite film of 2002.

 

The Revenant: The Journey Is Always More Rewarding Than The Prize

The Revenant

Equally engrossing as exhausting, and beautiful as grotesque, The Revenant – the latest film by Alejandro G. Iñárritu and Emanuel Lubezki is all about the journey. The ultimate end-game is established after a cinema-graphically remarkable set-up.  The end-game so-to-speak is known by the viewer and the lead characters for a good 100 of the film’s 156 minute run-time. A terrific aspect of a film such as The Revenant is that at some-point during the journey the viewer becomes a participant.

Normally a film 2.5 hours+ in length is at risk of losing its viewers.  The Revenant however, is never at risk of such a fate.  Why?

First, Lubezki (AA Birdman, AA Gravity) arguably the best Director of Photography in filmmaking today – has done it again.  I could easily watch The Revenant in its entirety without having the pleasure of the dialogue from its script or musical soundtrack.  In The Revenant, quality long-shots, pans, mid-shots, and closeups are part of the offering; many times in the same scene with superb effect.

Second, the screenplay is highly compelling. There are multiple storylines expertly interwoven throughout. Written by Iñárritu (AA Birdman, AAN Babel, 21 Grams) and Mark Smith, and taken from Michael Punke’s 2002 novel; The Revenant is based in part on the real-life fur trapper Hugh Glass.

Third, lead actors Leonardo DiCaprio as Glass, Tom Hardy as John Fitzgerald, Domhnall Gleeson as Captain Henry, and Will Poulter as Bridger deliver superb performances that quickly allow you to forget they are acting out a part in a film.  And then there is Momma Bear.  Momma Bear should get top billing!

Fourth, the musical soundtrack contains a mixture of themes – which are quite different – but work appropriately.  Rare in films of today the musical score contains the works of two completely different composers; Ryuichi Sakamoto (AA The Last Emperor) and Carsten Nicolai.

What works to a lesser effect are some flashbacks for Glass.  While from a story telling perspective, these flashbacks are important – the connections do not feel as nearly as genuine as other elements.

The Revenant ultimately works because it carefully develops the storyline and lets the set-up, journey, and the end-game take place without feeling rushed or compromised.

———

Notes and Other Worthless Trivia from Jeff

Lubezki has been nominated for an Oscar for The Revenant.  If he wins it would be three years in a row.  Wow!  Personally, I think Lubezki should have taken the Oscar for two other films for which he was nominated; Little Princess (1996) and Children of Men (2007).

If It Is Tuesday This Must Be Argentina. Although the movie is set and shot in part in Montana (where Glass operated as a fur-trapper). Other locations were used as planned, and others unplanned out of necessity.  Alberta and British Columbia were utilized as planned.  However, shooting was moved to the White and San Francisco mountains of Arizona and then to Tierra del Fuego in Argentina.  This is because of the loss of snow and early spring in the northern western hemisphere. This lack of consistency and continuity was noticeable to me.  Normally, I am ticked off by things like this (e.g., Vancouver B.C. filling in as Seattle or Toronto as Washington D.C., or worse the foothills of Southern California as Kansas).  In this case I went with the flow because the scenery was magnificent.

Do As I Say and You Can Do in Return. The Revenant has some remarkably demanding scenes for which having a stunt double perform in place of the actor is not feasible.  Evidently, Thomas Hardy and Iñárritu were at odds over the requirement. Iñárritu made an agreement with Hardy that any act performed on Hardy during the filming, Hardy could then perform on Iñárritu after the shot was complete.  Hardy took Iñárritu up on the offer.

Must Remain Quiet.  Although the movie would not exist without Michael Punke and his novel, he cannot speak about the film or participate in its promotion.  Why?  Punke is currently the Ambassador to the World Trade Organization for the United States of America. Therefore as an employee of the federal government ethics rules do not allow Punke to promote the work and further enrich himself while on the payroll.

Concussion: Measured Approach Proves to be More Impactful

concussion

More often than not it takes an outsider to identify what is actually occurring – often against what anyone wants to acknowledge.  Concussion the film starring Will Smith (Six Degrees of Separation, Ali, Focus) appears to speak the truth in measured and elegant tones. The truth that is the story line of Concussion is that American Football is a dangerous sport that in addition to the obvious injuries associated with a violent physical activity, 28% of its long-term participants will ultimately contract a terrifying brain disorder that is named Chronic Traumatic Encephalopathy, or CTE. The end of these players lives is early chronologically and ugly.  Sadly the numbers are irrefutable.

Full Disclosure:  I enjoyed playing football as a youth and love following and watching College Football – especially my alma-mater Michigan State University. I am not that interested in Professional Football as it has not been played in my hometown of Detroit, Michigan since my birth in 1957.

Different than one of my favorite books and films – Three Days of the Condor (six in the book) – Concussion is not a conspiracy thriller with chase scenes down Russian Hill in San Francisco, or multiple murders of innocent people to be quieted by foreign hit men.  The conspiracy is there all-right, but it is performed through attempted disgrace and false charges applied against the truth tellers (for the love of the sport).

Perhaps the biggest conspiracy?  Denial!

I like Concussion because it allows actors like Will Smith, Alec Baldwin, Albert Brooks and David Morse to play nuanced roles of real-life people instead of allowing dialed in performances of characters that are really just their well known performer-selves.